In his will work he strongly emphasized the define, with fluid strains, heirs of the modernist arabesque, whilst the area was shaped by juxtaposition of shade planes, with elongated figures inspired by the Italian masters of the Cinquecento.
Using the triple-valve principle, air builds up inside of the brake pipes or air traces, releasing the brakes. In Vienna, Egon Schiele, a disciple of Klimt, stood out, whose perform revolved close to a concept based on ***uality, loneliness and isolation, with a certain air of voyeurism, with quite express performs for which he was even imprisoned, accused of ***graphy.
Agitated Water (189

, by Gustav Klimt, Private Collection, New York City. The Dream (1910), by Henri Rousseau, Museum of Modern Art, New York City. Two Women Embracing (1915), by Egon Schiele, Hungarian Museum of Fine Arts, Budapest. Two Women (1930), by Heinrich Hoerle, Museum Ludwig, Cologne.
Maurice de Vlaminck experienced a predilection for pure colours, with a Cézannian volume: in Reclining Nude (1905) and Women Bathing (190

he built a Matissean cure of the female nude. In Madonna (1895-1904) he presented a feminine figure with a bare torso, in an ambiguous angle, whilst the overall body indicates sensuality, the confront with closed eyes turned upwards gives a feeling of mysticism, of introspection in the body is a fetus, which collectively with a line of sperm advise the artist's rejection of the cl***c angle of males in the direction of females.
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