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During a person of his peeping sessions, Gōda witnesses the murder of a person of the tenants at the hand of Lady Minako.
Gōda turns into obsessed with Lady Minako, and decides to dedicate a grotesque murder in buy to show to her that he is her soul mate. T***ka emphasizes the combination of the erotic and the grotesque in Rampo's work, and in well known culture of the period of time, which led to its description as "ero guro".
According to Sharp, T***ka's eyesight of Rampo's earth set the tone for later on filmed versions of the author's will work as effectively as biographical films. Voyeurism-now present in Rampo's story-is a main theme in the movie. Sharp also notes that voyeurism is a prevalent concept in the pink film, and that it would be deeply explored in the later on films of director Hisayasu Satō.
Jasper Sharp opinions that the movie demonstrates T***ka's flexibility as a director. Jasper Sharp notes that director T***ka portrays the Taishō period, in which the film is established, as "a pandemonium of designs and colors". This film was the middle entry in director T***ka's "Showa Era Trilogy", which features A Woman Called Sada Abe (1975) and Beauty's Exotic Dance: Torture!
(1977). All 3 movies star Junko Miyashita.

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